"I saw InterZone Perceptible last weekend at the Endstation Bochum cinema, where they scored the silent film ORLACS HÄNDE live - for me THE cinematic event of the year so far. (...) What the group performed is one of the best and most haunting soundtracks I have ever experienced. The two gentlemen officially play electric bass and accordion, but perform with an incredible jumble of effect devices, keyboards etc., through which they chase the sounds of their instruments, so that the original instruments are often barely recognizable. The whole thing is more of an industrial sound collage that reminded me of Throbbing Gristle, SPK etc.. Much more electronic and avant-garde than the line-up would suggest. (...) The movie (...) became a completely new experience. The soundtrack of InterZone Perceptible does not for a moment attempt to illustrate the external events. For example, the scene in which Orlac gives a completely ecstatic piano concert is accompanied by a relatively monotonous humming/humming soundtrack, which bears no resemblance to the sounds Orlac and his audience hear in the scene in question, but does describe Orlac's mood. The artists illustrate the inner worlds of the characters, so to speak. The whole thing lets you experience the movie in a completely new way (...) I have rarely had goose bumps so often with a silent movie soundtrack. A nightmare deluxe."

Kai Krick, artistic director of BESONDERS WERTLOS - The Festival of German Psychotronic Film (Cologne); June 2014