Up and down in the elevator of life (...) The Saturday Night Late Show once again proved to be the silent climax of the Fesival: especially because the minimalisic music- written for this festival by Interzone perceptible- set a marked electronic accent that was intensive and highly emotional. [Tamara Dotterweich, Nürnberger Zeitung, feb. 01st 2010] Silent Gangsters without fear and reprehension The most unusual event was Joe Mays "Asphalt"(...), to which the duo Interzone perceptible invented a congenially subtle, minimalistic sound-collage. One could witness exemplarily how silent movie and modern sound creation unite to form a highly tense "gesamtkunstwerk".
[Regina Urban, Nürnberger Nachrichten, feb. 02nd 2010]
[translated by Michael Rook]