Up and down in the elevator of life


(...) The Saturday Night Late Show once again proved to be the silent climax of the Fesival: especially because the minimalisic music- written for this festival by Interzone perceptible- set a marked electronic accent that was intensive and highly emotional.

[Tamara Dotterweich, Nürnberger Zeitung, feb. 01st 2010]


Silent Gangsters without fear and reprehension

 

The most unusual event was Joe Mays "Asphalt"(...), to which the duo Interzone perceptible invented a congenially subtle, minimalistic sound-collage. One could witness exemplarily  how silent movie and modern sound creation unite to form a highly tense "gesamtkunstwerk".


[Regina Urban, Nürnberger Nachrichten, feb. 02nd 2010]

 

 

[translated by Michael Rook]